![]() Shanks are caused by a clubface that’s too closed Basically, that a kid in second grade will understand what you’re talking about.” 6. We were taught that you need to teach golf at a second-grade level. “Golf is a very difficult game, but young instructors make the game more difficult than it is. Nowadays they’ve got all this ground force, and ‘hit up on it,’ and all these angles Trackman says you’re four degrees from the inside and three degrees down well why the hell don’t you tell the guy why they’re doing that, instead of throwing out some numbers?” They talked about a position here to help do this. “The old-timers, they made the game very simple. Find a teacher who will help you do that, and prioritize it in your own game: ![]() Golf is hard, and very complicated, so Butch’s advice is to focus on making the game simpler. The common thread was getting the club square at impact and being able to repeat it time and time again.” 5. had a lot of strange characteristics in their swing. Look at Jim Furyk, he’s just about to turn 50, he still competes on the PGA Tour with a swing that…if his father had changed that swing to make it look perfect, we’d have never heard off Jim Furyk. Because the secret to golf is repetition. Augustine to the World Golf Hall of Fame, because there’s hundreds of strange-looking swings in there, and they all work. “I don’t care how you do it,” he says, “just do it.” What is the secret to golf? According to Butch Harmon, it’s repeatability. We in our family, we’re trying to teach you to play golf, we’re not trying to teach you a golf swing, because everyone is different.” 4. “There’s two things you can do: You can teach golf to people, or people to play golf. He says it’s an important thing for golf teachers to keep in mind, along with students themselves, who shouldn’t try to copy other people’s golf swings because they seem to work for them. You can teach golf to people, or people to play golfīutch says he took pride in his large array of students having different swings. If it’s wide open at the top, you need to do a lot of catching up with your hands and it disrupts the timing of the golf swing.” 3. “If you had to error, I’d rather see someone shut at the the top than wide open, because if you’re shut at the top and have any strength at all, you can hold off as you go through, or you can let it release it if you want to hit a draw. A clubface too closed is better than too openīutch pointed to players like Brooks, DJ, and Rahm for his next nugget, saying that if he had to err with a clubface being too open or too closed at the top of the backswing, he’d choose one that’s slightly too closed, even though it’s not something he’d teach to everyone: ![]() His line was, ‘You see boys, when I hit it, I have Bethlehem steel in the left wrist, you’ve got linguine in there flopping all over the place.” 2. “He used to talk about the back of the left hand, in a right handed golfer, the bow in the left wrist, keeping the clubface square through impact. Keep steel in the left wrist, not linguineīutch’s first piece of advice was a hand-down from his father, who believed strongly in hitting a fade for its consistency, and did so by keeping his lead wrist firm and flexed through the hit.
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